quinta-feira, 13 de agosto de 2026

A morte pilota uma Harley-Davidson - o vídeo = parte 2

 Aqui, a lista dos prompts





https://a.co/d/014w7pGO 

DEATH RIDES A HARLEY

A Morte Pilota uma Harley-Davidson

Folha de prompts — geração de vídeo (trailer de 60 s)

17 planos · Veo 3.1 · Runway Gen-4.5 · Kling 3.0

Como usar

      Gere um clipe por plano, no modo image-to-video: suba a imagem-âncora indicada e cole o prompt em inglês. A âncora é o que trava o rosto, a moto e o cenário entre os planos.

      Peça duas ou três variações por plano e fique com a melhor. Regere quando o rosto, a moto ou a época derivarem.

      Gere em 16:9 e recorte para 2.39:1 na montagem. Cada clipe tem de 1 a 4 segundos; o limite dos modelos é de cerca de 8.

      O texto na tela — título e cartelas — entra na pós, porque os modelos embaralham letras, ainda mais com acento. As falas em português são gravadas ou dubladas na montagem; não vão no prompt.

      O desenho de som e a correção de cor por época também são pós: quente em 1956–1962, frio e dessaturado em 1994.

Ajustes globais

Sufixo de estilo (já embutido em cada prompt):  Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

Prompt negativo (aplicar em todos):

text, captions, subtitles, watermark, logo, modern cars, modern motorcycles, plastic fairings, chrome cruiser, deformed hands, extra fingers, warped face, oversaturated colors, cartoon, 3D render look, heavy lens flare, distorted wheels

Paleta 1956–1962:  warm Kodachrome, soft highlight halation, fine grain (cena noturna de Brentwood: cold mercury-vapor blue).

Paleta 1994:  cold desaturated, deep shadows, teal and industrial orange, worn textures.

Movimento I — O Silêncio  (0:00–0:24)

PLANO 01   ·   Mov. I   ·   ~3 s

Modelo:  Runway Gen-4.5

Âncoras (imagens da prancha a travar):  Alan (retrato); Sportster; galpão de Vernon.

Prompt (EN):

A weathered black 1981 Harley Sportster rides slowly down an empty industrial street in Vernon and stops in front of a corrugated-zinc workshop beside railroad tracks; a dark-haired man in a dark work jacket cuts the engine and removes his sunglasses. Low lateral tracking shot following the bike, 40mm, flat late-afternoon light, distant smokestacks. Then cut to the dim interior, a slow pan across a lathe and a workbench to a khaki tarp covering the shape of a motorcycle. Cold desaturated palette, deep shadows. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

PLANO 02   ·   Mov. I   ·   ~3 s

Modelo:  Kling 3.0

Âncoras (imagens da prancha a travar):  Jax (retrato); Knucklehead 1994 (sobrevivente); galpão de Vernon.

Prompt (EN):

Inside a dark industrial workshop, a broad-shouldered grey-bearded mechanic pulls a khaki tarp off a motorcycle in one motion, revealing a matte black 1947 Harley Knucklehead, heavily worn, dusty, oxidized chrome, cracked leather seat. Slow push-in as an articulated work-lamp lights the metal; dense physical presence. Cold desaturated palette. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

PLANO 03   ·   Mov. I   ·   ~3 s

Modelo:  Runway Gen-4.5

Âncoras (imagens da prancha a travar):  Knucklehead de Red (preta); engaste / Knucklehead 1994.

Prompt (EN):

Extreme macro of a mechanic hand sliding over a hand-made metal grip adaptation on a black Knucklehead left handlebar; hard cut to another weathered hand pressing flat on the cold fuel tank of the same black Knucklehead at night, the V-twin engine shuddering awake, valves clacking. Rack focus, 100mm macro. First half cold white lamp, second half cold mercury-blue night. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

Nota:  A mão de Red é canhota e sem o dedo indicador esquerdo. Selecione tomadas que respeitem isso; se o modelo falhar, corrija a mão na pós.

PLANO 04   ·   Mov. I   ·   ~3 s

Modelo:  Kling 3.0

Âncoras (imagens da prancha a travar):  Red (retrato); Knucklehead de Red (preta).

Prompt (EN):

A red-haired man rides a black 1947 Harley Knucklehead slowly down a sleeping suburban street at 2:40am with the headlight off; at a curve he slows and turns his face for an instant toward a house, copper hair catching cold light, then looks back to the road. Low lateral tracking then subtle slow motion, 50mm, cold mercury-vapor blue, white stucco walls and bougainvillea. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

PLANO 05   ·   Mov. I   ·   ~2,5 s

Modelo:  Kling 3.0

Âncoras (imagens da prancha a travar):  Red (retrato); Nora (retrato); estacionamento da Apex.

Prompt (EN):

Golden-hour movie-studio backlot, mid-1950s; a red-haired mechanic slides out from under a car, hands black with grease, wiping them on a cloth over his shoulder; a platinum-blonde woman in a leather jacket approaches, her heels sounding on the asphalt; he looks up at her. Static medium shot, 40mm, warm side light, period cars and palm trees. Warm Kodachrome palette, soft halation. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

PLANO 06   ·   Mov. I   ·   ~3 s

Modelo:  Kling 3.0

Âncoras (imagens da prancha a travar):  Red (retrato); Nora (retrato); quarto de Nora.

Prompt (EN):

A platinum-blonde woman lies against a red-haired man shoulder in a white bed and weeps silently; he keeps a hand flat on her back. Nearly still medium shot, 50mm, moonlight through French doors, white-beamed ceiling, terracotta floor, a black console with framed photographs in shadow. Intimate, tragic, restrained. Warm night palette, soft moonlight. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

Fala (grava/dubla na pós, PT):  NORA (sussurro): "Depois de amanhã."

PLANO 07   ·   Mov. I   ·   ~3 s

Modelo:  Runway Gen-4.5

Âncoras (imagens da prancha a travar):  Alan (retrato) para a mão.

Prompt (EN):

A hand slides a worn brown leather folder under a metal door; cut to black-and-white forensic photographs spread on a workbench under a work-lamp, a wooden-handled magnifying glass moving over a strangulation bruise on the left side of a woman neck. Static, rack focus, macro behind the glass, hard raking light. Cold desaturated palette. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

CARTELA (pós): "Um segredo enterrado por mais de trinta anos."

Movimento II — A Investigação  (0:24–0:46)

PLANO 08   ·   Mov. II   ·   ~3,5 s

Modelo:  Veo 3.1 (ou Kling 3.0)

Âncoras (imagens da prancha a travar):  Warren (retrato); The Piston’s Cry.

Prompt (EN):

An old man with long white hair and beard, cracked leather vest, sits at a dark wooden bar turning a glass of whiskey, a red neon sign glowing behind him; he lifts his eyes. Slow push-in, 85mm, warm filament light, smoky room. Ambient sound: muffled country jukebox and rain at the door. Cold exterior, warm interior. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

Fala (grava/dubla na pós, PT):  WARREN: "Aquela moto queria andar sozinha. O Red a chamava de Fugitiva."

PLANO 09   ·   Mov. II   ·   ~2,5 s

Modelo:  Kling 3.0

Âncoras (imagens da prancha a travar):  Jax (retrato); galpão de Vernon (porta).

Prompt (EN):

A broad-shouldered grey-bearded mechanic fills a metal doorway of a workshop, a steel lug wrench in his hand, sizing up someone off-screen; hard shadow across half his face, backlight from skylights. Static, 35mm. Cold desaturated palette. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

Fala (grava/dubla na pós, PT):  JAX (áspero): "Se você veio pela moto, dê meia-volta."

PLANO 10   ·   Mov. II   ·   ~2,5 s

Modelo:  Runway Gen-4.5

Âncoras (imagens da prancha a travar):  Jax (mãos); Knucklehead 1994.

Prompt (EN):

Fast montage of hands restoring a worn black Knucklehead: an impact wrench in short bursts, a new gasket, a carburetor being adjusted, then a hand pressing flat on the fuel tank; the bike stays worn and un-restored. Quick hard cuts, 100mm macro and 50mm, harsh work-lamp. Cold desaturated palette. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

PLANO 11   ·   Mov. II   ·   ~2,5 s

Modelo:  Veo 3.1

Âncoras (imagens da prancha a travar):  Jax (retrato); Knucklehead 1994.

Prompt (EN):

A grey-bearded mechanic throws his weight onto the kick-starter of a worn black 1947 Knucklehead; the V-twin catches unevenly and settles into a steady beat, cylinder vibrating. Low medium shot with an insert on the cylinder, side lamp, rest in shadow. Ambient sound: kick-start and a deep organic V-twin idle. Cold desaturated palette. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

PLANO 12   ·   Mov. II   ·   ~3 s

Modelo:  Runway Gen-4.5

Âncoras (imagens da prancha a travar):  Jax + Knucklehead 1994; Alan + Sportster.

Prompt (EN):

Two motorcycles ride in single file through near-empty pre-dawn streets: ahead a worn black 1947 Knucklehead ridden by a grey-bearded man, behind a black 1981 Sportster ridden by a dark-haired man. Low parallel tracking shot, 40mm, cold raking November light. Cold desaturated palette. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

PLANO 13   ·   Mov. II   ·   ~2,5 s

Modelo:  Kling 3.0

Âncoras (imagens da prancha a travar):  Vince (retrato, versão nova).

Prompt (EN):

A door opens slowly in a dim bungalow; in the gap, a hollowed-out old man with an oxygen cannula, dark pinstripe shirt, iron-cross pendant, cataract-clouded eyes, fixes his stare on someone off-screen. Short push-in, 50mm, closed-curtain penumbra with a thread of daylight. Ambient sound: a cycling oxygen concentrator. Cold desaturated palette. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

Fala (grava/dubla na pós, PT):  VINCE (com esforço): "Você até se parece com ele."

CARTELA (pós): "A verdade estava na moto o tempo todo."

Movimento III — A Verdade  (0:46–1:00)

PLANO 14   ·   Mov. III   ·   ~2 s

Modelo:  Runway Gen-4.5

Âncoras (imagens da prancha a travar):  Farol oxidado (1994); Knucklehead 1994.

Prompt (EN):

Close on the big round chrome headlight of a worn black Knucklehead, chrome dulled and oxidized, a diagonal crack in the lower-left of the glass; a hand rests near it. Static, 100mm macro, work-lamp grazing the chrome. Cold desaturated palette. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

Fala (grava/dubla na pós, PT):  JAX (baixo): "Nunca abri esse farol."

PLANO 15   ·   Mov. III   ·   ~1,5 s

Modelo:  Runway Gen-4.5

Âncoras (imagens da prancha a travar):  Farol oxidado (1994).

Prompt (EN):

Macro quick cuts: a wrench forcing a stiff screw that yields with a groan, then the chrome rim coming loose, revealing a domed cavity inside the headlight shell. 100mm macro, hard white light. Cold desaturated palette. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

PLANO 16   ·   Mov. III   ·   ~2 s

Modelo:  Runway Gen-4.5

Âncoras (imagens da prancha a travar):  Filme 16 mm; farol oxidado (1994).

Prompt (EN):

Macro: hands unwrap wax paper to reveal a small aluminum capsule with a threaded cap; the cap twists open to a roll of 16mm film on a dark reel; a strip is stretched toward a lamp showing frames of typed documents, only general shapes, unreadable. 100mm macro, lamp light passing through the film. Cold desaturated palette. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

PLANO 17   ·   Mov. III   ·   ~2 s

Modelo:  Kling 3.0 (ou Veo 3.1)

Âncoras (imagens da prancha a travar):  Red (retrato).

Prompt (EN):

A brief flash of a red-haired man face in cold mercury-blue light, turned as if glancing back, then a hard cut to black. Static, 50mm, mercury blue night. Ambient sound: a single sustained low chord cut by the black, then a slow V-twin idle. Anamorphic 2.39:1, 35mm film grain, photorealistic, cinematic neo-noir (Mann / Fincher / Villeneuve), motivated lighting, no text, no watermark.

CARTELA FINAL (pós): DEATH RIDES A HARLEY / A Morte Pilota uma Harley-Davidson

Ordem de montagem

Importe os 17 clipes no editor, corte nas durações indicadas e monte na ordem dos planos. Insira as três cartelas e o título em português, as falas gravadas ou dubladas, o desenho de som e a correção de cor por época. Recorte de 16:9 para 2.39:1. Duração-alvo: cerca de 60 segundos.

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